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| ZWINGER
Galerie |
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| Mansteinstrasse 5 |
| 10783 Berlin |
| +49-30-28 59 89 07 |
| office@zwinger-galerie.de |
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TOTENTANZ |
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Kerstin Drechsel, Peter Duka, Heinz Emigholz, Ueli Etter, Gerhard Faulhaber, Margarete Hahner, Theresa Lükenwerk, Erik Steinbrecher, SUSI POP |
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KÄTHE KRUSE |
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366 Tage |
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| 2019 |
Die Zukunft der SPD |
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Kuratiert von Hans-Jürgen Hafner und Gunter Reski |
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Künstler*innen: Nadja Abt, Norbert Bisky, Henning Bohl, Lutz Braun, Constant Dullaart, Anke Dyes, Julia Eichler, Claus Föttinger, Michael Franz & Franziska Ipfelkofer, Manuel Graf, Natascha Sadr Haghighian, Dale Holmes, Philipp Höning, Helmut & Johanna Kandl, Korpys / Löffler, Claudia Kugler, Stephan Machac, Michaela Meise, Anna Meyer, Stefan Panhans, Manfred Pernice, Peter Piller, Christian Rothmaler, SUSI POP, Heidi Specker, Wawrzyniec Tokarski, Suse Weber, Alex Wissel, Ina Wudtke, Steffen Zillig |
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MARGARETE HAHNER |
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Der Zauberberg – Paintings from a special place |
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"Something old, something new, something borrowed, something blue" |
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GERHARD FAULHABER, KÄTHE KRUSE, THERESA LÜKENWERK, ERIK STEINBRECHER |
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PETER DUKA |
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Antibeichte |
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SUSI POP |
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"Marc Brandenburg fotografiert Tabea Blumenschein mit seinem iPhone" |
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Portraits 2012-2018 |
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| 2018 |
KÄTHE KRUSE |
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aufgestanden, fortgegangen |
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GERHARD FAULHABER |
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Zeichnungen |
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ERAN SCHAERF, ERIK STEINBRECHER, SUSI POP |
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(Puzzle) |
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KERSTIN DRECHSEL |
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E-Werk |
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UELI ETTER |
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Runaway Design |
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| 2017 |
on paper |
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Kerstin Drechsel, Ueli Etter, Heinz Emigholz, Gerhard Faulhaber, Ulrike Grossarth, Margarete Hahner, Nancy Jones and Wolfgang A. Müller |
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ERIK STEINBRECHER |
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ESSIG, ÖL, SEPIA UND SCHWARZE TINTE |
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By Appointment |
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groupshow |
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ULRIKE GROSSARTH |
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Die Umfunktionierung der Allegorie in der Warenwirtschaft ist darzustellen. (aus: Walther Benjamin "Zentralpark") |
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BIRGIT SCHLIEPS |
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Tribuna ospiti. Il quadro è mutato.
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Skulptur-Objekt / sculpture-object |
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Künstler der Galerie / artists of the gallery |
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| 2015 |
MISCELLANEA VI - ORNAMENT |
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with Ueli Etter, Gerhard Faulhaber, Käthe Kruse, SUSI POP AND Nikolaus Utermöhlen |
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WIE WENN AM FEIERTAGE / IF WE TOOK A HOLIDAY |
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curated by Laurence A. Rickels |
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Tabea Blumenschein, Kerstin Drechsel and Nancy Jones |
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STILLLEBEN |
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with Kerstin Drechsel, Ueli Etter, Gerhard Faulhaber, Ulrike Grossarth, Margarete Hahner, Käthe Kruse, Gunter Reski, Eran Schaerf, Erik Steinbrecher, SUSI POP and Felix Vallotton |
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UELI ETTER |
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park on mars |
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| 2014 |
GUNTER RESKI |
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Das Selbst ohne Ich |
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GERHARD FAULHABER |
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Zeichnung |
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MY UNCLE SAM |
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Bettina Allamoda, Daniel Habegger, Thomas Keller,
SUSI POP |
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PETER DUKA |
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Die andere Seite der anderen Seite |
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ALDO RUNFOLA |
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Monuments |
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| 2013 |
BIRGIT SCHLIEPS |
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Wüstenstadt |
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SUSI POP |
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Meine Schweiz |
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WOOD(S) curated by Laurence
A. Rickels |
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Featuring: Sascha Brosamer, Claudia del Torres,
Anders Dickson, Heinz Emigholz, Ueli Etter, Joachim Grommek, Margarete
Hahner, Rodrigo Hernández, Käthe Kruse, Ana Navas, Gunter
Reski, Eran Schaerf, Pola Sperber, Sara Wahl |
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MARGARETE HAHNER |
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An Old Subject Made Older |
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KÄTHE KRUSE |
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Danke!Die Tödliche Doris
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| 2012 |
SUSI POP |
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Bank Dick |
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The Happy Fainting of Painting |
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Zwischen Bild und Buch: Materialsammlung Malerei heute |
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PETER DUKA |
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Rameaus Neffe |
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ERAN SCHAERF |
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Echo Chamber (Lakoste spielt keine Rollex) |
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UELI ETTER |
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Wahres und Schönes 1987 - 2012 |
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| 2011 |
SUSI POP |
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SUSI POP bin ich - Portraits |
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HEINZ EMIGHOLZ |
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Eine Serie von Gedanken |
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MARGARETE HAHNER |
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I Confess |
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ULRIKE GROSSARTH |
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Ulica Nowa |
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| 2010 |
Miscellanea V |
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UELI ETTER / ULRIKE GROSSARTH / ERAN SCHAERF u.a. |
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GERHARD FAULHABER |
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Zeichnungen |
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ALDO RUNFOLA |
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After Rembrandt |
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THERESA LÜKENWERK |
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Zeichnungen |
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KÄTHE KRUSE |
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Bilder Kleider Texte |
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| 2009 |
THERESA LÜKENWERK |
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Drawings VIII |
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SUSI POP |
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lost and found - Courbet, Freud, Kirchner,
Rembrandt, Rubens |
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Miscellanea III |
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Groupshow |
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ERAN SCHAERF |
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Twice upon a time |
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BIRGIT SCHLIEPS |
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Helllichter Tag |
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| 2008 |
TOBIAS HAUSER |
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Ein deutsches Haus |
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ULRIKE GROSSARTH |
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occidental thinking machines |
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UELI ETTER |
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THE PARK and The Spirit of de Grisogono 2 |
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GUNTER RESKI |
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ALEXUELL |
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| 2007 |
KÄTHE KRUSE |
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Stofflandschaften |
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BIRGIT SCHLIEPS |
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Trancemoderne |
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Miscellanea I |
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UELI ETTER / ULRIKE GROSSARTH / ERAN SCHAERF |
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TERRY ATKINSON und SUSI POP, curated by Wolfgang
Winkler |
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....are leaving the agmoas* sector |
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* agmoas: the avangarde model of the artistic
subject |
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MARGARETE HAHNER |
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Suerte |
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GERHARD FAULHABER |
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Zeichnungen |
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| 2006 |
HEINZ EMIGHOLZ |
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Recherche zur Basis des Make-up |
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TOBIAS HAUSER |
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Bricks in my Wall |
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BETTINA ALLAMODA |
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Monument/Konfektion |
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GUNTER RESKI |
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Malerei |
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| 2005 |
SUSI POP |
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SAL(L)E FRAGONARD |
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THERESA LÜKENWERK |
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Zeichnungen |
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ERAN SCHAERF |
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SIE HÖRTEN NACHRICHTEN |
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| 2004 |
BETTINA ALLAMODA |
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Nation Building / Institut du Monde Arabe |
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GERHARD FAULHABER |
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feat. SUSI POP |
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NIKOLAUS UTERMÖHLEN |
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Malerei |
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MARGARETE HAHNER |
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Church of Blind Faith |
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| 2003 |
Zeit und Zeichnung |
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GERHARD FAULHABER, KIT LAWRENCE, THEREAS LÜKENWERK |
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ULRIKE GROSSARTH |
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Leibnizprojekt |
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EVREN TEKINOKTAY |
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Good day to your eyes again |
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| 2002 |
KÄTHE KRUSE |
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Zatteltracht im Zauberwald |
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BETTINA ALLAMODA |
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ready-to-wear / colonial, II |
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| 2001 |
EVREN TEKINOKTAY |
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THERE ONCE WAS A WOMAN WHO PUT HER HEAD INTO
AN OVEN |
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"POLLOCK" |
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SUSANNE PAESLER, LOUISE LAWLER, ED HARRIS, PETER
ZIMMERMANN, UELI ETTER, SUSI POP und DOLCE & GABBANA |
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UELI ETTER |
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Impressionen aus dem PARK |
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TOBIAS HAUSER |
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Natürliche Todesursachen und andere Gründe |
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| 2000 |
HEINZ EMIGHOLZ |
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The Basis of Make-up |
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GERHARD FAULHABER |
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Zeichnungen |
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